Wednesday, April 17, 2013

Noah's Ark For Little Ones

 
"The Day The Ark Sailed" cartoon from The Times Dispatch, 1903


A Noah's Ark Thought.
When I look at my Noah's Ark,
I always think how good
It is that animals all grow
Exactly as they should.
Just s'pose the elephant had horns!
How awful it would be!
He'd get his trunk all scratched and torn
By the sharp points, you see.
And if the zebra had no stripes
We would not know, of course,
If we saw one in Africa
That is was not a horse.
If ostriches could fly and sing,
How different they would be.
And yet I like them better as 
They are, it seems to me.


The Latest News From Noah's Ark

      These cartoons, "The Latest News From Noah's Ark", were published in 1911-1917. I have cleaned them so that non-profit organizations might enjoy printing them again in bulletins for students, teachers and clergy etc... The cartoons were used to illustrate all kinds of commentary and articles from several popular newspapers. I have not been able to successfully identify the artist as of yet. I think he had a funny way of identifying human frailties in his animal characters. These cartoons would make excellent illustrations for sermons.
Annoying habits are sometimes just instinct.
Fowl Gossip
Foxy Deceptions
New dance trends
False Pride

Monday, April 15, 2013

Heads Of The Christ

 
Famous Heads of Christ

How Artists Have Depicted The Savior's Features
Hoffman's Divine Painting, Showing the Tender Pathos of "the Man of Sorrows" --Raphael's Masterpiece--One of the Most Pathetic Pictures of Christ Is the One Called "Carrying of the Cross"--Guido Reul's "Ecee Homo."

      Among the many beautiful conceptions of the divine face of Christ that artists have endeavored to portray on canvas are five that are so surpassingly beautiful and so wonderfully in harmony with the ideal of the God-man that suggests itself to most people that they have been universally declared to be masterpieces of sacred art. These five famous "Heads of Christ" are here reproduced. They form a collection that both saint and sinner will study with interest. 
      The picture of the Savior of mankind, shown with the face in profile, straight hair falling down to the shoulders, and a look of intense earnestness in the eyes, is taken from the world-famous painting of "Christ Before Pilate" by Munkacsy. This painting has been exhibited all over the world, and copies of it hang on the walls of countless homes. It represents Christ at one of the most trying periods of His troubled life, when brought into the presence of Pontius Pilate for declaring himself to be the Son of God. 
      The picture differs from almost all other famous pictures of Christ, in that it depicts Him with features that are stern and set, and with little trace of the compassionate sweetness that so many artists have given to the face of Christ. With the rabble howling around Him, Christ faces Pilate, and were it not for the position of the two, Pilate on his throne, Christ standing before him, it would seem that the relations were reversed, and that Pilate was the accused, Christ the accuser.
      The masterly had of the artist has thrown into the upturned face of Christ a latent suggestiveness of supernatural power that lifts it up from those surrounding it, and marks clearly the distinction between the divine and the human in the throng.

Christ before Pilate, 1881 by Mihály Munkácsy,
oil on canvas 417 x 636 cm

Guido Reni's "Ecce Homo,"
      For a picture of the beautiful, the divine, the compassionate, for all that Christians love to look for in the face of Christ, the masterpiece of the modern artist Hoffmann is the one to turn to. The head of Christ is taken from Hoffmann's "Christ at the Door," The familiar picture representing Christ with a shepherd's crook in hand, knocking at the portals of a home. The tender sweetness of the face, which is turned full towards the spectator, is wonderfully shown. It is a face in which gentleness is emphasized by the settled melancholy of a "man of sorrows and acquainted with grief," It is pleading, pathetic, but not weak. The artist has ennobled the features of Christ so that the womanly attributes of gentleness and sympathy are made majestic by the strong manly attributes that save the face from any suggestion of effeminacy. The attitude is dignified and expectant, the face calmly, seriously, solemnly impressive.
      Raphael has given us the beautiful head of Christ, shown with the crown of thorns on the brow. It is taken from the picture entitled "Carrying of the Cross." It is one of the most pathetic of the entire gallery, and the face is one of the most interesting studies of all pictures of Christ.
      In the original, Raphael depicts Christ bending beneath the weight of the heavy wooden cross. The suffering eyes look patiently out from the shadow of the plaited crown of thorns whose sharp thorns pierce the forehead. The genius of the artist was never more strikingly shown than in the expression of this face of Christ. Even with the suffering and pain depicted on the countenance there is plainly seen the sympathy of the divine nature that prompted the utterance "Forgive them, Father, for they know not what they do."
      There is no resentment, no trace of indignation. The artist has made the face one of heavenly beauty and tenderness, even in the dreadful hour of the cross.
      Among the best known of the Biblical paintings is Guido Reni's "Ecce Homo," showing Christ in the agonies of His last hores, with the crown of thorns on His head, and dying eyes turned heavenward. It is one of the most pathetic of all the head of Jesus, and is a great favorite with many people. It is doubtful whether any artist has given us a more beautiful conception of Christ than has Guido Reni in his  "Ecce Homo."
      A picture that is unique among the conceptions of Christ is that of Titian, called "The Tribute Money." Christ is here shown with a calmly judicial face, with a tinge of the sadness that all artists impart to the Savior's features; it is the face of one who reasons convincingly, but without a shade of triumph over the successful turning of solemn pitying rebuke the befits the subject.

      Just left, is Titian's painting "The Tribute Money." The Tribute Money (Italian: Cristo della moneta - literally Christ of the money) is a circa 1516 oil painting by Titian, now held at the Gemäldegalerie Alte Meister in Dresden. It is signed "Ticianus F.[ecit]". It depicts Christ and a Pharisee at the moment in the Gospels (Matthew 22:15-22, Mark 12:13-17, Luke 20:20-26) when Christ is shown a coin and says "Render unto Caesar..."

Sunday, April 7, 2013

Frogs, Toads And Pollywogs for Spring

printable paper toy frog

    Cut out the two sides of the frog and paste them together, with a cardboard in between. After pasting the two sides back to back, with the cardboard in between, cut the inside contours, such as between the legs and the arms. Then punch out the holes for the string and fasten the string to a small stick to complete the trapeze. Hold the frog by this stick as you make him go through his performance. Besides the two ways of hanging from the trapeze shown in the sketches, he can also bend his body and hook on (at the places marked X) by one leg. Or he may slide up and down, with the string passing through those places marked with X's.



Need to draw lots of pond life? Here are some step-by-step drawing guides for those of you who
need to learn about dragon-flys, water-lilies, frogs, and tadpoles.




Teachers may download the image above and print one for each student. Ask the students
 to give the King of all pollywogs a crown, scepter, perhaps even a robe. Then challenge them
 to doodle thousands of tadpoles, frogs and toads surrounding their King.

Friday, April 5, 2013

Craft Your Own Jingle Stick

Left, attach the bottle caps using nails. Right, a finished jingle stick for the Sunday school 
classroom.

      Jingle sticks can be made at home easily with very limited equipment. You will need a hammer, two sizes of long nails, bottle caps and some scrap wood. I used a long piece of cedar because it was what I had on hand. One of the nails you will need to use to make the holes in your bottle caps with. This nail should have a slightly larger dimension than those long nails you will use to permanently attach holding the bottle caps. 
      Hammer the holes with the larger nail into the metal caps and place a wooden scrape underneath the cap to give it support. Then you can through away this scrap wood and nail after you've completed the step. 
      Then you will need to rub down your stick with sandpaper and seal it with acrylic varnish. This procedure will insure that little ones will not get splinters from the instrument. After the varnish has dried overnight, hammer the long thinner nails through the holes in the bottle caps and into the wooden stick firmly. 
      Look closely at the picture above; note that the longer finish nails have wide heads. These prevent the caps from falling off the stick while it is shaken.

The Choir performing Ndyahimbisa mukama during 
the 20th Anniversary of the Choir in Vancouver in
 2004 on stage in front of 2200 people.

Want to know more about the Choir and Music for Life? Go to http://africanchildrenschoir.com


Help Jesus Help 12 Million Orphans!!

Craft Your Own Sandblock Instruments

The finished sandblocks are ready for music class.

      Children and or teachers can craft sandblock instruments for their music class, a performance or just for fun. All you will need are blocks of wood, felt and a medium weight sand paper. I used a wood glue to adhere my sandpaper to one side of my wooden tablets after I cut and glued a layer of felt to the wooden blocks. The felt acts as pad to extent the wear of the sandpaper over time. Eventually, you will need to adhere more sandpaper to your instruments as the gritty surface wears down to the felt layer.

The felt pad is sandwiched between the wooden surface and the sandpaper.

      I applied a layer of acrylic sealer to the surface of my sandblocks after gluing these vintage pictures onto the top halves of my sample instruments. The acrylic sealer will help to protect the instruments from wear and tear over time. If you would like to make sandblocks like the ones pictured above, you may click on the restored vintage graphics below to download and print the same images that I used for my teacher's samples.

Vintage pictures of a hound playing musical instruments.

The Metropolitan Baptist Church Cherub Choir (ages 3-5) sings 
"What a Mighty God We Serve!"

The Last of Summer by Nell Brinkley


I have cleaned this lovely cartoon butterfly girl by illustrator, Nell Brinkley. Brinkley has long since flown from the earth but her work is still just as endearing. If you'd like to see more of it, I could include a category here at this blog of her work only. She really was quite a popular artist in the early 20th Century. What do you think?

Nell Brinkley Says:

      Butterflies go with the ending of Summer ---butterfly girls go with the ending of the gay night that is their lives. Butterflies grow rare and at last do not flicker gold anywhere, when the sumac turns scarlet and the aspen on the far hills changes into little golden coins; butterfly girls vanish and are no more dimples and sparkle and laughter when there is no more fun to have, when the lights are out and real work comes. But I love a golden butterfly in the sun; and who doesn't joy to watch the butterfly girl dance her way through the sober faces and the earnest!
      Somebody said, " A butterfly lives but a day-- and what if that day is rainy!" So, little butterfly girl whose day is so short, may it be sunny and clear.

More About Illustrator Nell Brinkley:

Thursday, April 4, 2013

"The Butterfly's Ball"



The Butterfly's Ball Poem
On the smooth-shaven grass by the side of the wood,
Beneath a broad oak that for ages has stood,
See the children of earth, and the tenants of air,
For an evening's amusement together repair.

And there came the Beetle, so blind, and so black,
Who carried the Emmet, his friend, on his back;
And there came the Gnat, and the Dragonfly too,
And all their relations, green, orange, and blue.

And there came the Moth, with her plumage of down,
And the Hornet, with jacket of yellow and brown,
Who with him, the Wasp, his companion did bring;
They promised the evening to lay by their sting.

Then the sly little Dormouse peep'd out of his hole,
And let to the feast his blind cousin the Mole;
And the Snail, with her horns peeping out from her shell,
Came fatigued with the distance, the length of an ell.

A Mushroom the table, and on it were spread
A Water-dock-leaf, which their table-cloth made,
The viands were various, to each of their taste,
And the Bee brought the honey to sweeten the feast.

With steps more majestic that Snail did advance,
And he promised the gazers a minuet dance;
But they all laughed so loudly he pull'd in his head,
And went, in his own little chamber, to bed.

Then as evening gave way to the shadows of night,
Their watchman, the Glow-worm, came out with his light;
So home let us hasten, while yet we can see,
For no watchman is waiting for you or for me.

Color A Celtic Resurrection Butterfly Cross

       I used metallic ink pens to color in my teacher's sample cross drawing. These inks really stand out if you draw with them on dark or black construction paper. Although, I chose to draw on a nice acid free paper for this particular activity (construction paper fades rapidly). The project is designed for students fourth grade and up. I've included patterns for the butterfly and cross below for those of you who would like to draw a cross very similar to mine. I colored the floral part of my design with Rembrandt colored pencils. These have a nice velvety texture that sharply compliments the metallic inks.
      The butterfly in the modern Christian church, and when I say modern I mean within the last 100 years, is used as a symbol for resurrection. This is because the metamorphosis that takes place during the life cycle of butterflies mirrors the lives of regenerated Christians in both life and death after the Holy Spirit indwells them personally. The cross, in turn, symbolizes the beginning of this resurrection process because of the ultimate price of salvation paid for us through Christ's death on the cross and His resurrection from the tomb.
      Encourage your students to frame their work if they are pleased with the results. I have found that many parents love to receive simple drawings such as these for a birthday or Mother's Day and/or Father's Day gift.
This is my teacher's sample of a Resurrection Butterfly Cross.
Students can use all kinds of metallic ink pens to color in their
 sketches. They will need to use a white or yellow colored pencil
to trace around their stencils before applying the inks. Although I
chose silver for my sample, this pattern would look just as
 attractive in gold or copper inks.

Click directly on the image to download the largest possible file.
 You will need to
fold an additional piece of paper and
place the dotted lines of the cross template on top
 of the fold to cut out the entire cross pattern.

More Links to Cross Drawing/Coloring Projects:

Thursday, March 28, 2013

Craft An Empty Tomb Easter Egg

The finished empty tomb Easter egg, front and side.

    I crafted this empty tomb Easter egg with air dry clay, a half shaped, Styrofoam egg and paint.      The egg form also has a hollow interior and I will post a photo of what these look like just as soon as I can take a picture. 
      For those of you who may be a bit intimidated by shaping your own stones from clay, there are shallow molds for sale in craft and hobby shops for the very purpose of crafting stone walls. The results are so nice that the purchase of one of these is an excellent investment. 
      After pressing the air dry clay into a mold, (shown below) simply adhere the printed clay to the Styrofoam egg with tacky white glue. You will then need to continue working while your clay is still wet. Use a toothpick or a fork and work the clay surface a bit by pushing deeper crevices between the stones to create a more three-dimensional stone wall surface.      I let my stone tomb egg dry over night then I painted it's interior with black acrylic paint. Next, I painted the exterior stones with shades of grey and pale browns. Being satisfied with my final results, I then pasted a cross shaped sticker to the interior of the egg shaped tomb and gave my entire Easter egg a coat of acrylic varnish.

Craft stained glass windows from melted crayons

      Remember melting crayons to create beautiful stained glass window art when you were a kid? My Sunday School teacher did this in class with us many years ago. We would shave crayons with small hand-held pencil sharpeners onto white tissue paper. Then our teachers would carefully cover our tissue and shavings with wax paper and carry the layers over to an ironing board and melt them by rubbing a hot iron over the surface of the wax paper. 
      You can actually achieve the same melted effect by using a hair dryer if you wish. I also remove the wax paper after it has cooled. This only takes seconds to accomplish and then all you need to do is cut a black template from construction paper in order to frame your melted master piece.
      This craft needs adult supervision and patience. I've used some stained glass window frames for my teaching samples that are a bit complex. Design stencils for window frames that are simpler if your students are younger.  Have the children cut out the frames before shaving and melting crayons from black construction paper if they are older than nine. 
       Since I've published this craft here, designs at Color The Bible have been uploaded for coloring pages. These can easily be adapted for pattern making of stained glass windows.

Above you can see that a small hand-held pencil sharpener is quite adequate for shaving crayons. Remove the paper first and don't use too many dark colors for your mix, otherwise, the results can turn a bit muddy. I used the original cut templates for my teacher's sample so that I wouldn't need to cut my stencils twice. After this I then created a template from the sample that could be printed out in black and white so that my students only needed to cut out the center of the design.

Just left, you can see the stained glass window taped onto an actual window. The colors a very brilliant. I have limited my color choices to reds, oranges and yellows in order to emphasize a monochromatic palette. You may wish to teach students about color mixing or the color wheel during this lesson by requiring young students shave together particular color combinations.

More Examples of Melted Crayon Crafts:

Wednesday, March 27, 2013

Drawing Butterflies By Progressive Steps

     I have included here a series of five, butterfly, drawing exercises from an old book. In each case it is the last figure of each series of diagrams that you are striving to copy.
      Learning to draw is best when students are encouraged by multiple means of processing information. Teachers should encourage progressive diagram drawing, drawing from real life, drawing from artworks and from their imaginations. The more articulate the student, the easier it becomes for him or her to express themselves. It is difficult for art students to become articulate if their teacher is attaching too much philosophy to practice early in their pupil's development.
      Each method of drawing accesses different areas of the brain. Educators will soon discover that different students excel at different rates according to their familiarity with utilizing that particular part of their brain. Teaching art to the very young should focus primarily on the absorption of knowledge and how to use it within a wide variety of circumstance/context. 
      All artists should be given time to learn how to manipulate information without having the process judged by those art educators that teach according to current popular belief.  Do not fixate on artistic schools of thought or practice until a student is approximately sixteen or older and is able to make important choices for himself apart from your personal tastes and opinions.
      The method of drawing illustrated in the jpgs. below, is very appropriate for cartoonists or graphic designers to learn. Encourage art students to try this method of making art along with many other practices inside your classroom.
full frontal butterfly draw

Draw butterfly from side.

Draw another butterfly from side.
Smaller butterfly drawing challenge.

Last step-by-step butterfly drawing challenge.

Monday, March 25, 2013

How To Decoupage a Picture On To An Easter Egg

Here is an obvious question. "How do you decoupage a picture
or a scene onto an egg?" Obvious question, rarely answered.
Above you see a sweet example of this from a manufacturer
of Easter novelty.


Supply List:
  • smallish dinner napkins in a pattern you would like to see on your Easter egg.
  • egg (can be plastic or real)
  • Mod Podge
  • hot glue gun and hot glue to attach a ribbon on top of the egg
Step-by-Step Instructions:

  1. Gently separate the layers of your dinner napkin. You will only be working with the printed one on top.
  2. Measure the length of your egg and cut rectangular strip from the napkin or tissue paper to fit neatly around it. 
  3. Now you will need to cut at regular intervals, slashes into your design. Notice how I do NOT cut all the way through the rectangle. (pictured below) I leave about an inch uncut. This uncut central part of the rectangle is the continuous, uninterrupted part of the design that wraps around the mid section of the egg. The larger your egg the wider this section will be. 
  4. After cutting this napkin thus, apply Mod Podge to the surface of your egg and carefully paste down the napkin, starting first with the middle part of the design. The fringed parts of the napkin will overlap some but the design should be preserved for the most part. 
  5. After cutting and gluing this first piece of the napkin, I then cut out parts of the design that I thought the most attractive from left over napkins and pasted these on the top and bottom parts of my egg where the design did not cover. This is because I used very large eggs for this project and my napkins were quite small and the wider, bottom half of my egg needed additional decoupage to cover it completely. 
  6. In order for your eggs to look professional, you need to use very thin tissues for this project. This insures that the design will appear uninterrupted and hand painted. 
  7. Also, I was very particular about the colors of eggs that I used for the design. Had I used dark blue or purple plastic eggs, this design would not be as attractive. The napkin is very thin and the colors will show through the glue and tissue, so be selective. The factory made egg above was yellow. The one below that I covered was pink.
  8. After the egg has dried completely give it a final coat of Mod Podge.
  9. Hot glue an attractive ribbon to the top of the egg if you wish to hang it.

See finished eggs with fancy pink dinner napkin decoupaged
on the plastic surfaces. You can use the same process on 
real eggs too!

Left, peal off the solid layers of napkin on the bottom; you won't need to include them in the 
process. Center, the napkin cut with fringe across the top and bottom. Right, different eggs, same
dinner napkin cut apart to give a alternative look.

See different applications of the same napkin design.

Decoupage Easter Eggs:

Free Vintage Patterns for Easter Eggs

Painting patterns from left to right in order: An Old-Fashioned Calico Egg,
A Design Taken From Bright Ribbons, Czechoslovakia flowers in bright colors,
A row of yellow ducks on a batik egg and flowers/bow-knots from an old silk.

      Above are very old illustrated patterns for painting eggs, below are vintage patterns for sewing eggs and carrots. The egg templates include five sizes. 
       Select the size you prefer and then make a cardboard template by tracing around the size selected. 
       Cut four copies from fabric to sew together for one egg. A 1/4 seam allowance is included with the template. 
       I suggest sewing the eggs by hand instead of on the machine because the seams are so very narrow.
       After leaving an opening of one and a half inch, turn the egg right sides out and stuff tightly. Close the opening with an invisible stitch and then apply trims and fancy embroidery.
5 egg sizes. See two sizes made up in bumble bee flannel fabric at colorthebible.blogspot.com.
 
       To make fabric carrots, select the size, cut it out and trace around for the cardboard template. Cut just one triangle from orange fabric. Fold in half, sew down the side and turn right side out. Stuff with cotton filling up to the top of the carrot. 
       Sew a straight stitch around the top opening to gather it shut. Then attach a green ruffled ribbon or ruffled felt around the top gathered edges to cover and mimic the greens on top. You could also attach green lace alternatively for a folksy looking carrot.
 
See my vintage veggies in red-orange velvet with tassel tops;
 these are made with the simple pattern below.


3 carrot sizes

Thursday, March 21, 2013

Very Vintage Easter Egg Designs


      This little violet dyed, Easter egg is perhaps the oldest egg I hang on my Easter tree. It was made sometime in the 1940s or 30s. My mother-in-law hung it on her childhood Easter tree. I think the lavender food dye has lasted far longer than anyone could ever had anticipated. The violets are made from molded velveteen.

Just Lilla shows how to make ribbon violets.
 
Enamel Easter egg containers are still as popular as they were 100 years ago!

       In the collection illustrated above at the far left on top is a vintage aluminum egg that opens to reveal a secret message and perhaps a chocolate too. It was made almost 100 years ago and belonged to my mother-in-law. The larger eggs are reproductions only manufactured within the past twenty years. I filled them with jelly beans and other sweets for our daughters to discover on Easter morning among other toys inside of their baskets.

    A Decorative Bird Box

          I love these little bird boxes by Martha Stewart. I plan to stuff mine with a few Easter treats this year, but these little tweets would be just as sweet to decorate for any festive occasion. The bird boxes come three to a package so I will show you three different ways to decorate them. This first example is perhaps the easiest. 
          First, I painted a thin layer of acrylic varnish all over the surface of my bird box and let it dry over night. Then I used a fine line, permanent, black ink marker to draw swirls and curls emphasizing the raised portions of the bird's wings etc... Afterwards, I coated the box again with a second layer of acrylic varnish.






    Wednesday, March 20, 2013

    Pin The Ears On The Rabbit

    Pin the ears on the rabbit.
          Print out the pictures on which is the earless rabbit and his ears are drawn (below). Hang the earless rabbit on the wall, as shown by the sketch, right. Then cut out the ears included in this post and stick a pin through the little holes marked "Pin."
          Now you are ready to play the game. Blindfold a boy or girl and put one of the ears in his or her hand. Turn the blindfolded one around three times, stopping with face turned to the rabbit. Then let the player step forward and try to pin the ear in the right place.
          All sorts of fun comes from the funny mistakes of the players.
          You can get better results by mounting the rabbit panel and the ears on cardboard.

    More Rabbit Themed Games:


    Printables for the game here.

    Anna's Easter Dream by Louise Cooper

    When little Anna went to sleep
    Upon the eve of Easter day
    She dreamed of candied eggs a heap
    And frisky, brisky lambs at play.
    Plump Humpty Dumpty, with a bow,
    Stood smiling on the counterpane,
    And Ducky Daddles, wondering how,
    Was at the foot just to explain.
    Three baby ducks in noisy play,
    Who never thought to pardon beg.
    Cried "Quack, quack, quack for Easter day!"
    And then tobogganed down an egg.
    A rooster and a hen on nest
    Exclaimed, "Please put us in the rhyme,
    for we are doing our level best
    In working up the Easter time!"
    five bunnies, each with eyes of pink
    And ears so long they flapped like wings,
    Said, "We are not considered bad.
    And, don't forget, we're little too."
    five sparrows, proud of their wee size--
    They never grow too broad or tall--
    Chirped, "We should surely win a prize,
    for we are littlest of them all."
    Two tiny men from Titakum,
    With good strong arm and sturdy leg,
    Held steady as a block o fgum
    A large and glowing rainbow egg:
    There, standing on it like a queen.
    With rosy lips and roguish eye.
    In pink and gold and bronze and green,
    The girly, curly butterfly.

    by Louise Cooper