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Thursday, February 11, 2016

Decorate Your Easter Table With a Zoo!

Mrs Marchand puts the finishing touches on a porcupine. 
On the table stand a finished ostrich and deer.
      Berthe Marchand used her ingenuity. Needing something original for the Easter table—something for the children to admire—she hit on the idea of making an entire zoo of animals, using colored Easter eggs and other odd bits of material easily obtained for a few cents at any stationer’s.
      Why don’t you do the same? It just takes patience, nimble fingers, and extreme care in handling the eggs— which can be dropped only once!

More Animal Shaped Easter Eggs:
More Fun Egg Video:
Far left, Making a porcupine. A paper-shell nut is inserted into a clay neck on an egg. Next, the peanut legs are being carefully affixed to the roughed-out figure. Head feet, and all parts of the body not covered by clay are painted. And last, after he's got his paper eyes and comb, "Porky" receives his quills.
The finished porcupine with toothpicks for quills.
Left, Mr. Penguin. Egg, peanuts, clay, felt toothpicks. Center, The giraffe
has neck and legs of red soda straws, of course. Right, The kangaroo,
above, has a yellow-painted-egg body, a cotton pouch, and peanut legs.
The swan, just above, is made of egg, cotton,
paper fringing, and colored pipe-cleaners.
Left, The ostrich--with egg body, pipe-cleaner legs and nick, ad a
ball -with-a-hole head. Right, The most fee-ro-cious lion ever made.
Walnut head and peanut feet.

What to Do With Left Over Easter Eggs

What to do with all those hard-boiled eggs?
       All the traditions connected with the Easter egg, its decoration, cooking and eating, are, of course, decidedly old world, and yet there is some myth among the legends of the Inca Indians which tells of a magic egg and how it may be found in some mysterious spot, and of its wonderful power. Whether or not this is one of the superstitions of the far east which Manco Capac brought with him from the other side of the Pacific is altogether unknown, but certain it is that in Asia, Africa and Europe feasts were kept in most ancient times when the egg played a prominent part. The Jews used eggs in their feast of the Passover long before the coming of Christ. In Persia colored eggs are presented at the celebration of the Solar New Year's, and extremely ancient custom with this people.
       From Germany comes the singular connection of a rabbit with the Easter eggs. It is believed that this little animal steals into the house when all is quiet and hides a store of pretty eggs in most impossible places, giving the children, who must search for them, a great deal of trouble and excitement in finding them. The house mother prepares by procuring a quantity of eggs and colors them herself by wrapping them in colored calicoes, some plain and some figured.
       To the country boy or girl of America Easter or "Paas," in rural vernacular, resolves itself first and foremost into a contest to see who can accumulate the greatest store of eggs, and secondly, who can eat the most.

More Egg-cellent Recipes: Video: 

Wednesday, February 10, 2016

Easter Day Word Scramble

You can enlarge this puzzle in a Word Doc. to make it easier to read.

The answer key below is in white text. Cut and paste it into a Word Doc, then change it's color to a dark type if you wish to print it out. Otherwise just highlight it with your mouse to see the answers.

Answer key: bloom, thunder, blow, leaping, grave, sun,world, grim, Sepulchre,breath, alive, Nazareth, message, shields, casts, strength

Saturday, February 6, 2016

Easter Morning...

What shall I bring Thee, Lord:
For the crowns of thorns and the jibing tongue,
And Thy tender body on Calvary hung,
For the gall and cruel sword,
What shall I bring Thee Lord?

What dost Thou give me Lord?
For a crown of thorns, a crown of peace,
From the cross of sin a sweet release,
From evil deed and word
A sweet deliverance, Lord.

Then shall I greet Thee, Lord
Glad, with my rayment shining white,
For the Easter morn is fair and bright,
And Thou whom they ignored
Hast triumphed, Christ, our Lord.

Friday, April 3, 2015

"The Rejected Christ" by Goetze

For further inquiries about the original work, go to the Stranraer Museum.
At the exhibition of the Royal Academy, in London, the great canvas by Sigismund Goetze, entitled “Despised and Rejected of Men,” (right) has created an artistic sensation. It is declared to be a “powerful and terribly realistic presentment of Christ.” in a modern setting, and is described by a writer in The Christian Commonwealth (London), as follows: 

In the center of the canvas is the Christ, standing on a pedestal, bound with ropes, while on either side passes the heedless crowd. A prominent figure is a richly vested priest, proudly conscious of the perfection of the ritual with which he is starving his higher life. Over the shoulder of the priest looks a stern-faced divine of a very different type. Bible in hand, he turns to look at the gospel has missed its spirit,and is as far astray as the priest whose ceremonial is to him anathema. The startled look on the face of the hospital nurse in the foreground is very realistic; so is the absorption of the man of science, so intent on the contents of his test-tube that he had not a glance for the Christ at his side. One of the most striking figures is that of the thoughtless beauty hurring from one scene of pleasure to another; and spurning the sweet-faced little ragged child who is offering a bunch of violets. In rejecting the plea of the child who knows that the proud woman is rejecting the Christ who has identified himself forever with the least of these little ones. The only person in the whole picture who has found time to pause is the mother seated on the steps of the pedestal with her baby in her arms, and we can not but feel that when she has ministered to the wants of her child she will spare a moment for the lover of little children who is so close to her. In the background stands an angel with bowed head, holding the cup which the world He loved to the death is still compelling the Christ to drink, while a cloud of angel faces look down upon the scene with wonder. As the visitor turns away he is haunted with the music of Stainer’s “Crucifixion,” “Is it nothing to you, all ye that pass by?”

Related Content:

Saturday, April 12, 2014

Every Praise, Every Word of Worship is To Our God!


Published on Oct 17, 2013
Hezekiah Walker New Video "Every Praise"

      Something happened two thousand and 40 years ago in the gray light of the first Easter morning which transformed and transfigured the face of the earth. History began again. The world's heart beat with new and gladder thrill. Henceforth and forever, beneath the all-beholding sun, there is nothing which is "too good to be true." It has not entered into the heart of man to conceive a good which is better than the reality of things. But we are afraid of imagination. It is a vain thing, and must be yoked to a servile mass of matter lest it soar upward and outward, into the blue sky, above the mountain tops, toward the glorious sun, and lose itself in the eternal truth of God!
      O brother-man or sister-woman, are you afraid of your own prayers? He is God. He is the Father-God, the Mother-God, the God of the buttercups and daisies, of sunshine and spring, the God who cares for the sparrows and clothes the lilies, who spreads out the heavens as a curtain and calls all the stars by name, who longs for you as the child of his heart, and loves you with an everlasting love, so that sin and death cannot separate you from the might of His affection nor quench His hope in you. Morning light shames our midnight fears. And the shame is that in the darkness you were not sure of the coming dawn. You ought to have known that after midnight comes the morning; in the blackest night of the year you ought to have kept God's sunshine in your soul. Angels have rolled the stone away from the grave of your ascending Lord. Clouds turn to solid rock beneath your feet. And Christ is risen indeed. --Rev. C. F. Aked

       "When John Holland died, it was about five or six in the evening, the shadow of night was gathering around, and it was growing darker and darker. When near the last moment he looked up, and said to the family: "What is this? What is this strange light in the room? Have they lighted the candles, Martha?" "No," she said. He replied; "Then it must be heaven. Welcome, heaven." Talmage