Saturday, March 23, 2013

Color Easter Fashion from Berberich's

This fashionable lady is out for a stroll with her greyhounds on Easter morning.
 
Description of Coloring Page:  fashion from 1918, greyhounds, walking the dogs,
 
More Fashionable Ladies to Color:
Don't forget to drag the png. or jpg into a Word Document and enlarge the image as much as possible before printing it folks. If you have a question about this coloring page, just type into the comment box located directly below this post and I'll try to get back to you as soon as I can.

Color Easter Fashions for Ladies from 1913

 
Description of Coloring Page: Easter parade, gowns, fashions, garden, 1913
 
Don't forget to drag the png. or jpg into a Word Document and enlarge the image as much as possible before printing it folks. If you have a question about this Easter coloring page, just type into the comment box located directly below this post and I'll try to get back to you as soon as I can.

Thursday, March 21, 2013

Velveteen Violets on A Vintage Easter Egg


      This little violet dyed, Easter egg is perhaps the oldest egg I hang on my Easter tree. It was made sometime in the 1940s or 30s. My mother-in-law hung it on her childhood Easter tree. I think the lavender food dye has lasted far longer than anyone could ever had anticipated. The violets are made from molded velveteen.

More Related Content:

A Decorative Bird Box

      I love these little bird boxes by Martha Stewart. I plan to stuff mine with a few Easter treats this year, but these little tweets would be just as sweet to decorate for any festive occasion. The bird boxes come three to a package so I will show you three different ways to decorate them. This first example is perhaps the easiest. 
      First, I painted a thin layer of acrylic varnish all over the surface of my bird box and let it dry over night. Then I used a fine line, permanent, black ink marker to draw swirls and curls emphasizing the raised portions of the bird's wings etc... Afterwards, I coated the box again with a second layer of acrylic varnish.






Wednesday, March 20, 2013

Pin The Ears On The Rabbit

Pin the ears on the rabbit.
      Print out the pictures on which is the earless rabbit and his ears are drawn (below). Hang the earless rabbit on the wall, as shown by the sketch, right. Then cut out the ears included in this post and stick a pin through the little holes marked "Pin."
      Now you are ready to play the game. Blindfold a boy or girl and put one of the ears in his or her hand. Turn the blindfolded one around three times, stopping with face turned to the rabbit. Then let the player step forward and try to pin the ear in the right place.
      All sorts of fun comes from the funny mistakes of the players.
      You can get better results by mounting the rabbit panel and the ears on cardboard.



Anna's Easter Dream by Louise Cooper

When little Anna went to sleep
Upon the eve of Easter day
She dreamed of candied eggs a heap
And frisky, brisky lambs at play.
Plump Humpty Dumpty, with a bow,
Stood smiling on the counterpane,
And Ducky Daddles, wondering how,
Was at the foot just to explain.
Three baby ducks in noisy play,
Who never thought to pardon beg.
Cried "Quack, quack, quack for Easter day!"
And then tobogganed down an egg.
A rooster and a hen on nest
Exclaimed, "Please put us in the rhyme,
for we are doing our level best
In working up the Easter time!"
five bunnies, each with eyes of pink
And ears so long they flapped like wings,
Said, "We are not considered bad.
And, don't forget, we're little too."
five sparrows, proud of their wee size--
They never grow too broad or tall--
Chirped, "We should surely win a prize,
for we are littlest of them all."
Two tiny men from Titakum,
With good strong arm and sturdy leg,
Held steady as a block o fgum
A large and glowing rainbow egg:
There, standing on it like a queen.
With rosy lips and roguish eye.
In pink and gold and bronze and green,
The girly, curly butterfly.

by Louise Cooper

Color Charming Style for Eastertide

These smartly dressed people are taking a leisurely stroll in the park on Easter morning.
Description of Coloring Page: garden, walk in the park, Easter parade, fashions from 1911 
 
Don't forget to drag the png. or jpg into a Word Document and enlarge the image as much as possible before printing it folks. If you have a question about this Easter coloring page, just type into the comment box located directly below this post and I'll try to get back to you as soon as I can.

The Boy Who Knew God's Word

      This Bible story page is free for teachers, ministers and parents to print and handout to children anywhere, in any quantity, for any purpose no matter where they live in the world.



      Timothy was taught to honor and understand God's word by the female members of his family. He was ready to serve God when he was called to do so. The story of Timothy is about understanding the importance of a reliable character. Timothy demonstrates to others that living for God, by His word, is even more important than whether or not people know you for some other impressive reputation. We don't really know what Timothy liked to do in his spare time, whether or not he was artistically talented or athletic or even if he was some official's son. But his character was such that God made sure he would be remembered by the church by including him in Paul's life and the life of the church.
       Much of our identity as Christians is hidden in Jesus. We pass through the world without much fanfare, attending to the daily necessities of those around us, wondering if any person ever even notices who we are or what we do. Timothy had a very similar life as far as we know; he did suffer persecution and he did persevere with Paul's ministry when so many turned on the apostle. Timothy's loyalty to the church was unbending.

Tuesday, March 19, 2013

"Spring Millinery In Bloom" Word Search


Easter Eggs That Imitate Wedgwood Blue Earthenware

Typical wedgwood blue
plate with white decor
      I have always been in love with Wedgwood blue earthenware. It is very expensive, however, so it is not likely that I will ever acquire much of it. I did find some "Wedgewood" look-alikes  in a hobby shop many years ago and adhered these medallions to Styrofoam eggs. Then, I covered the back half of my eggs with blue paint, glitter and some vintage lace. I strung my blue, "Wedgwood"eggs on glass bead hangers. These eggs are my favorites and I hang them on one of my Easter egg trees every year.
      In 1765, Wedgwood created a new earthenware form which impressed the then British Queen consort Charlotte of Mecklenburg-Strelitz who gave permission to call it "Queen's Ware"; this new form sold extremely well across Europe. The following year Wedgwood bought Etruria, a large Staffordshire estate, as both home and factory site. Wedgwood developed a number of further industrial innovations for his company, notably a way of measuring kiln temperatures accurately and new ware types Black Basalt and Jasper Ware. Wedgwood's most famous ware is jasperware. It was created to look like ancient cameo glass. It was inspired by the Portland Vase, a Roman vessel which is now a museum piece.. (The first jasperware colour was Portland Blue, an innovation that required experiments with more than 3,000 samples). In recognition of the importance of his pyrometric beads (pyrometer), Josiah Wedgwood was elected a member of the Royal Society in 1783. Today, the Wedgwood Prestige collection sells replicas of some of the original designs as well as modern neo-classical style jasperware. Read more . . .

Easter eggs featuring Wedgewood look-alike medallions. Push the medallions gently into the foam egg before gluing these in place with a tacky white glue.
Authentic Wedgwood Eggs:
Wedgwood Look-alike Eggs:
My family has visited here during the summer months.
This makes for a relaxed, family friendly trip.

Coloring pages depicting men's fashions in 1907

Color these men's fashions, advertised as Easter suits, from House of Walsh Brothers, 1907.


Craft a Humpty-Dumpty Easter Egg


The Humpty egg from different view points.

    This Humpty-Dumpty Easter egg is much easier to make than he looks. I used a small face mold and a bit of Sculpey clay to make his face. Although, some of you who do not like to paint, could use a bit of flesh colored polymer clay instead. After un-molding the clay mask, I then pressed it onto a wooden egg with a generous amount of wood glue sandwiched between the clay and wooden surface. Then I baked the entire egg in an oven for only a few minutes at recommended temp. on the package. If I had to make the Humpty egg again, I would probably opt for air dry clay. 
      I then let the egg cool and glued on a simple white collar and a bow tie, after I painted the head in flesh colored paint and lower portion of the egg in blue to suggest his shirt.
      Humpty-Dumpty named after a famous nursery rhyme was actually a relatively popular character to craft during the mid to later half of the 20th century during Easter and also for nurseries. I've included more examples of this funny egg fellow below.

Above are examples of face molds from my vast collection.

Include Tiny Vignettes Inside Easter Eggs

Here are a few more examples of decorated, flocked Easter eggs. These have been decorated by
cutting out an oval portion of the egg and gluing a tiny vignette inside the egg. Many hobby stores
 sell tiny vignettes; these are not difficult to locate. I covered the inside of my eggs first with glue
 and transparent glitter. I also added a bit of Easter grass to cushion my Easter miniatures.

After decorating the egg on the inside, I glued rick-rack, laces and bows to the outer shell and edges
 to cover flaws and to add interest to the surfaces of my Easter eggs. I used hot glue for this particular project.

More Scenes Inside of Easter Eggs:

Saturday, March 16, 2013

"Raise Every Voice"

"Raise Every Voice"  A song for Easter. old sheet music. I've included a file size here that is very large for those of you who would like to print out this sheet music on larger printing paper. This music was published in The Morning Times, Sunday, April 5, 1896, and is in the public domain.

The Living Butterfly

Paper butterfly pattern.

      Cut out the wings all around the outside black lines and fold them together at the dotted line A. Cut out both sections of the body and paste them together, with the exception of the legs and antennea, which are to be spread apart. Now slip the body between the wings at the white space. BB and bend the wings down at right angles to it at the dotted lines CC. The butterfly is now finished. To set it in motion hold it between the thumb and forefinger, as shown in the model, and pinch it gently, being sure to have the thumb and finger high enough under the wings so that they will be raised every time they are pinched and lowered when the pressure is relaxed. If you do this just right the butterfly will look like a little living creature poised for flight and an observer will be scarcely able to see what makes the wings go up and down. If you like to paste a thin piece of note paper on the wrong side of the wings to cover the printing and to color them on both sides. You will have a very pretty toy to add to your collection of cut-outs.

Friday, March 15, 2013

Futuristic Fashions Parade Easter Morning

Illustration by James Henry Daugherty from a newspaper published in 1915.
      James Henry Daugherty (June 1, 1889 Asheville, North Carolina – February 21, 1974) was an American modernist painter, muralist, children's book author, and illustrator.
      He lived in Indiana, Ohio, and at the age of 9 he moved to Washington, D.C., where he studied at the Corcoran School of Art. Later, he went to London and studied under Frank Brangwyn. During World War I, he was commissioned to produce propaganda posters for various US Government agencies, including the United States Shipping Board.
      Daugherty wrote and illustrated several children's books during his career. In his book Daniel Boone won the Newbery Medal. His book with Benjamin Elkin, Gillespie and the Guards, won the Caldecott Honor in 1957. He was also the author of Walt Whitman's America Selections and Drawings by James Daugherty.
      In September 2006, controversy erupted at Hamilton Avenue School, an elementary school in Greenwich, Connecticut, over Daugherty's depiction of Bunker Hill hero and Connecticut native Israel Putnam in a mural commissioned by Public Works of Art Project for the town hall, and installed in the school in 1935. The mural was restored, and revealed a scene, filled with violent and richly-colored imagery, including snarling animals, tomahawk-wielding American Indians, and a half-naked General Putnam strapped to a burning stake. School officials objected to the violent imagery, and ordered the mural removed to the Greenwich Public Library.
      Daugherty will be included in the exhibition The Société Anonyme: Modernism for America at the Yale Gallery in 2010.

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Hello Dolly! fashion from 1908

Wow, this woman looks as if she stepped right off Broadway. I hope parents and teachers will enjoy sharing with their students these fashion coloring plates. I have certainly enjoyed restoring them to their original grandeur.
Description of Coloring Page:  lace collar, Easter parade, ruffles, lace, tassels

Don't forget to drag the png. or jpg into a Word Document and enlarge the image as much as possible before printing it folks. If you have a question about this Easter coloring page, just type into the comment box located directly below this post and I'll try to get back to you as soon as I can.

"Hello Dolly"attire

Ogden's Fashionable Ladies

I love these little Easter caps, especially the one on the right. She looks as though she's balancing a pot of flowers on her head! Very saucy Easter attire indeed.
Description of Coloring Page: Easter parade, parasol, hats, fashions from 1916
 
Don't forget to drag the png. or jpg into a Word Document and enlarge the image as much as possible before printing it folks. If you have a question about this Easter coloring page, just type into the comment box located directly below this post and I'll try to get back to you as soon as I can.

Put on your walking skirts . . .

These elegant walking skirts were at the height of fashion in 1914. Catalogs and newspapers advertised new Easter attire religiously during the 20th Century.
Description of Coloring Page: fashions for women from 1914, posing, elegant, Easter parade
 
Don't forget to drag the png. or jpg into a Word Document and enlarge the image as much as possible before printing it folks. If you have a question about this Easter coloring page, just type into the comment box located directly below this post and I'll try to get back to you as soon as I can.

Thursday, March 14, 2013

Unscramble The Easter Words or Phrases


This puzzle lists both religious and secular words and phrases.

How You Wear Hat Key To Character?


Read a person's character by how they were their hat.
       
Character reading by hats is a new and interesting pastime...
  • The girl or woman who wears her hat firmly and squarely is called the girl or woman who has determination and ability to do things and does them.
  • The girl with a flabby hat set so it seems ready to blow off any minute is said to be of the butterfly variety, without aim or ambition. Hat at a dangerous angle means the wearer is liable to be fickle and to like flattery.
  • She with the bonnet tilted back on her heard, according to fans in character reading by hats, is prone to self-indulgence.
  • Then there is the secretive kind, hiding her eyes behind a curtain and pulling her hat down to her eyebrows.
  • The girl who is continually rearranging her hat and primping her hair may have a fitful mind.
note: Now that we no longer wear hats often, people can never tell what our personalities are like by just looking at us.


What do you think these bonnets reveal?
from Abiana Studio

Stuffing Easter Eggs


      I purchased these dessert shop Easter eggs shaped like ice cream cones, cupcakes and petit fours. I loved the unique shapes. However, as you can see, appearances are all that I paid for; I will need to stuff them a bit more than I thought.


      I also purchased a pack of Squinkies to stuff into the little people's Easter eggs, just for fun. Extra candy, a few toys, coins and printed scriptures will make up the contents of these eggs for my family's Easter egg hunt this year. Why not swipe of few of the Easter scriptures below and print them out for your little ones?






Wednesday, March 13, 2013

Comforting Easter Bells

Comforting Easter Bells

Sweet is the comfort that the chimes
Are throbbing down upon the ear
In pulsing beat of wordless rhymes--
Life and death, human breath,
Joy and pain, naught is vain,
For Christ is risen! Heaven is near!

If sorrows come, they also go:
If joys must fly, they reappear.
Still, gladsome bells, swing to and fro--
Life and death, human breath,
Joy and pain, naught is vain,
For Christ is risen! Heaven is near!

Then ring for joy, ye Easter bells,
That love divine has conquered fear!
Immortal hope your rhythm tells--
Life and death, human breath,
Joy and pain, naught is vain,
For Christ is risen! Heaven is near!

            by Helen Evertson Smith.            

Paul, The Great Teacher

      This age appropriate reading material was developed by teachers for the purpose of introducing the Bible to the very young. The stories under this category at Easter Egg Crafts have been simplified and a singular moral or ethic is introduced to children in the reading of the story aloud as was and still is an educational practice in most Christian congregations today. Certainly the stories are far more complicated in the scriptures than what you will read here. But you must remember that these were written for very young students ages five to eight. (age. 5-8) The materials are free for teachers, ministers and parents to print and handout to children anywhere, in any quantity, for any purpose no matter where they live in the world. 

  
    Paul had a very interesting history with Jesus. Although he was very bright, he also, hated the very people that God had sent his own Son to rescue from eternal death. Before he met Jesus in a vision, Paul was called Saul. God changed his name from Saul that means "asked for, prayed for" in Hebrew to Paul that means "small" in Latin. Jesus turned Paul's belligerent, hate-filled personality into that of a humble, God fearing, loving personality. 

      In Bible times, many Jewish people were disappointed in the humility and sacrifice displayed in Jesus, in fact, so much so that they would not except him as The Messiah. They wanted to be powerful and rule over their enemies in a way that they had been treated in kind. This attitude burned inside of Paul, so much so that he had a great many Christians killed before changing into the kind of teacher that the church remembers him to have been. But Paul needed to learn to live and play by God's rules, not the rules of his temple or people. This was and still is a difficult lesson to teach and learn.

"The Realities of Two Worlds"

Here is an interpretation of the meaning of Easter for average men and women
 by Paul Jenkins: Has this ancient festival ever had any real spiritual significance for you?
TEXT--Jesus saith unto them, come and break your fast. And none of the disciples durst inquire of him, who art thou? knowing that it was the Lord.--John 21:12.

      Unless you remember the circumstances involved in the situation described in the text, its words will seem to you unimportant and meaningless, perhaps utterly absurd as the text of an Easter sermon. But if you remember the circumstances involved, those simple words will describe to you a situation that which you can find none more significant, more startling, more dramatic, more thrilling, more glorious, between the first chapter of Matthew and the last chapter of Revelation. 
      To bring the true situation before you, let me describe a picture of the scene, from the marvelous brush of the French master painter of the Christ so much of whose lifetime has been given to the production of those wonderful paintings of the life of Christ that have been the marvel of the artistic and the delight of the Christian world for more than a decade, And of all the hundreds of canvases the J. James Tissot has delighted to fill with charming, passionate, dramatic and spiritual depictions of movements in the earthly life of the Savior, that which shows the moment described in our text is one of his masterpieces indeed.
      The picture makes the hour of the scene to be, as we know that it was, the most charming hour of the loveliest season of the year, just as sunrise of a cloudless day in spring. Beneath the azure sky and clear in the sunrise glow of that hour, the lake of Galilee shines translucent from turquoise to pearl.
      Resting at the water's edge are the two boats, the large and the small, of which we read, simple and clumsy specimens of the boat builder's craft of that day. Oars, poles, and nets in them tell their use. Upon the pebbles lies a hastily discarded net, still damp and dark from the water, and close by lies the heap of splendid fish, fresh, wet, gleaming and silvery in the sun. The coals of fire glow ruddy in a little heap, and a tiny thread of opal smoke rises straight in the air of the windless dawn. On an outer garment, placed blanket-wise for him, perhaps by the tenderness of a disciple, sits the Lord. In even so simple a pose the noble and commanding presence of his personality is yet unmistakable. At his right hand lie heaped up a dozen flat cakes of the newly baked bread whose luscious brown almost suggests their fragrant aroma. On a simple split stick a fish is spitted, and the Lord holds it in one hand above the coals to brown, with the other hand moving in simple gesture and with uplifted face, as he speaks naturally, familiarly, and with most evident fascination to the spellbound men that squat in oriental fashion facing him across the fire. "Spellbound," did we say? You should see the picture to know with what divine power they are held. Motionless as statues, the most of them yet lean eagerly, amazedly, passionately forward, their eyes centered on his face as if no looking would ever satisfy the hearts that feed on the joy of seeing him, hearing him, participating in the heavenly marvel of the hour.
 
"J. James Tissot has delighted to fill with charming, passionate, dramatic and spiritual
 depictions of movements in the earthly life of the Savior."
 
      Such is the scene. I cannot know just what it means to you. But may I not tell you what it means to me?
      It has been my privilege, now and again, to sit as friend or guest at the tables of the rich, where snowy damask gave joy alike to the appreciative eye and the touching hand, where countless silver gleamed, where glass sparkled like the diamonds that is approached in value, and where the daintiest china of France supported fish, flesh and fowl of two continents and two seas. It has been my honor, and now and again, to sit at the tables of the great, where men of intellect and fame and women of intellect and charm have made an hour unforgetable and have taught one more than a whole university of mere classrooms could do. It has been my profit to sit at banquets where hundreds sat about the tables and listened to the worlds of heroes, heroes of war and heroes of peace, captains of soldiery and captains of industry, and felt the while they listened, that they were in touch with the men and the forces that move the world. It has been my benefit to sit at meat in the homes of the humble, in log cabins and huts, dining off metal plates and plain fare, and there to learn that not circumstances, but characters make men and women. It has been my delight to sit about the table of the grass, in forests and wildernesses, the campfire at hand and the viands won from stream or forest only by gun or rod. But when I contemplate the circumstances of that morning meal beside the lake of Galilee and realize the realities that were there present--things, emotions, sights, that surpass words to describe-- I know that I had rather have been one of those men that ate the bread that Lord baked, the fish his hands caught and cooked for them, that saw what they saw and heard what they heard, than to have attended any other banquet that wealth ever bought or meal that the friends of one's bosom prepared for friendship's tribute!
      "Why so? Tell me, who were there. Tell me whom that group consisted of!" "Oh, a group of coarse fishermen, fagged out by a night's work, listening to a chance rabbi who is getting breakfast for them while he talks." Yes; you can make that answer if you have succeeded in wiping Easter day out of your calendar.
      Who were there? "Oh, let's see, wasn't that the time when Jesus met his disciples and the miracle of the great draft of fishes occurred.?"
      It was one of many occasions of which Jesus shared fish with his disciples, I answer, and this is about the way the average churchgoer (shall I have to say the average Christian?) would answer.
      Who was there? Listen! Men were there that had seen the man in their midst die in pain on the horrid cross of a Roman criminal execution, had witnessed his writhings of agony had seen the sweat of blood, had heard from those lips at which their eyes now gazed as if enchanted the last scream as the body sank lifeless in the nail-suspended collapse of death. Men sat there who had taken that body down in tears and dismay and in the shock of disillusioned hopes had buried it and gone away feeling as if their universe had tumbled in wreck about their heads, murmuring to one another as they went: "And this is the end of him whom we hoped that it had been he that should have redeemed Israel!" And that man sat there before them alive! Alive? He had caught fish and made a fire and baked bread and helped them to make one of the great hauls of their fishermen's experience, and now while they at stunned, amazed, astounded, incapable almost of realizing what had occurred-incapable, as they afterward wrote, of speaking a syllable of inquiry--he calmly served and fed them while he talked to their white faces!
      "Oh, impossible, incredible! false, never to be believed! a myth, a lie, a dream, a delusion, a frenzy or fantasy of disappointed, overwrought and fanatical brains." Yes, and if you can think of any other terms of denial to write against it, set it down! And when you have said and done it all, the plain statement of these men who sat there will challenge you to your face to hear them tell you that it happened, that he whom they had laid in that sealed-up grave sat in their midst in the same body that they had known, and cooked for them and ate and served them as he catted the while! God be praised for heaven's sweet simplicity, that it was not in some awful, supernal shape, "trailing clouds of glory," that he came back to them, but that if was in the shape of the man whom they had known, had lived with, walked with, talked, slept and eaten with--and lo! before their eyes he moved and breathed and walked and ate and talked, the unmistakable and now incredible, but still actual being that he was before! Oh, if you will let these things, these truths, even this simple scene, get into your head and your heart--what an amazing Easter this day would be to you! "Why?" Because, I care not who and what you have been before, if you have never realized that mighty meaning of this simple scene, you may have known a dead Jesus, but you have never known the risen Savior!
      We have asked who were there? Let us take a final moment to ask what else was there? There, in that hour, all the mighty realities of the two worlds were gathered; this world of which they were catching faint but dazzling, astounding glimpses as they gazed on him; the world that he had been born in, lived in, worked in, died in--and the world that he was living in at the time that he ate and talked before their eyes!
      The realities of this world were there. Labor was there--they of the toil-worn hands, calloused by the wet net cords, they of the many a night of fruitless toil, they know what the weariness and uncertainty of labor is as few others know. Hunger was there, the meal that his love prepared to meet their famished bodies, doubly worn with abstinence and disappointment. Death was there, the end fo all earth--or why the meal to keep the body going, the labor for one's loved ones, and why the amazement at seeing one over whom the omnipotence of death had no power?
      And the realities of the world beyond were there. Life was there--such life as never a soul had dreamed of since Adam cowered beneath his sentence of mortality. The body was there; and now we know why it is called the "Apostle's Creed," that says: "I believe in the resurrection of the body!" What other faith, what other verdict, what other creed could they have that saw the nail marks in the hands that served him, who, though already in the life beyond so loved them that he could reward their work-a-day toil and could prepare for them the food that was affection's tribute itself. And the Christ was there!
      Language fails. Words can say no more. But this--all this--is the true Gospel of Easter day. Mount Vernon Signal.
 
LIFE’S DISCIPLINE A TRAINING FOR HEAVEN.
SIR HUMPHRY DAVY


All speaks of change: the renovated forms
Of long-forgotten things arise again.
The light of suns, the breath of angry storms,
The everlasting motions of the main,—
These are but engines of the Eternal will,
The One Intelligence, whose potent sway
Has ever acted, and is acting still,
Whilst stars, and worlds, and systems all obey;
Without Whose power, the whole of mortal things
Were dull, inert, an unharmonious band,
Silent as are the harp’s untuned strings
Without the touches of the poet’s hand.
A sacred spark, created by His breath,
The immortal mind of man His image bears;
A spirit living ’midst the forms of death,
Oppressed, but not subdued, by mortal cares;
A germ, preparing in the winter’s frost
To rise, and bud, and blossom in the spring;
An unfledged eagle by the tempest tossed,
Unconscious of his future strength of wing;
The child of trial, to mortality
And all its changeful influences given.
On the green earth decreed to move and die,
And yet, by such a fate,  repaired for heaven! 

Tuesday, March 12, 2013

Fan Folded Palm Branches


       This Palm Sunday craft may be used during a procession in the church but it also is an excellent method for creating a palm branch prop for a play. Although it is simple the project has much better results when completed by older students, fifth grade and up. You will need eight sheets of green construction paper in all to complete a palm similar to this one. However, you can use this method with any number of sheets if you should desire to alter the size of the project. Fold the paper in an accordion fashion and then snip off the tips of the fonds in a curved-like fashion as seen in the far left hand photo above. The center photo shows how your accordion folds should look. You will then need to glue the edges of sets of four papers together to form a continuous sheet of palm leaves.


      Left, I then bound both sets of palm leaves together with masking tape over the end of an old yard stick, one palm half on either side of my yard stick/ruler. Center, I added more tacky white glue to the edges of the palm leaves on the stick for strength. Right, I covered my tape with a small strip of paper, thereby giving the palm a clean look. 


      After leaving the palm branch to dray, I then glued the two accordion folded palms together down the center of my project and then wrapped the trunk of my branch with brown twine and white tacky glue to hide the writing on the old yard stick. On the far right you can see the completed palm branch. 
 

      As you can see by the photos, you may open the palm all the way into a circular shape and pin it down to the trunk of it's branch with a clamp of some sort. This gives the palm a very aesthetically pleasing appearance. However, I suggest that you only clamp this into place, not glue it permanently. This is because the palms store better when they are flat and closed at the top. Clamping them temporarily while on display will allow you to use them time and time again in future parades.

Needlepoint a Basket of Violets

      "This little bag for holding money or jewels is most useful to any woman blessed with such desirable possessions, and one as pretty as this would appeal to any woman of fastidious tastes as the daintiest and most useful of all simple presents to be made by the clever fingers of an artistic friend." 
      This antique needlepoint pattern appeared in the Washington Times, Sunday, April 17, 1904.

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