Thursday, April 10, 2025

You Are God!

For you are great and do marvelous deeds; you alone are God. Psalm 86: 10

The Cross by John Donne

Since Christ embraced the Cross itself, dare I
His image, th’image of his Cross deny?
Would I have profit by the sacrifice,
And dare the chosen altar to despise?
It bore all other sins, but is it fit
That is should bear the sin of scorning it?
Who from the picture would avert his eye,
How would he fly his pains, who there did die?
From me, no pulpit, nor misgrounded law,
Nor scandal taken, shall this Cross withdraw,
It shall not, for it cannot; for, the loss
Of this Cross, were to me another cross;
Better were worse, for, no affliction,
No cross is so extreme, as to have none.
Who can blot out the Cross, which th’ instrument
Of God, dewed on me in the Sacrament?
Who can deny me power, and liberty
To stretch mine arms, and mine own cross to be?
Swim, and at every stroke, thou art thy cross,
The mast and yard make one, where seas to do toss.
Look down, thou spiest birds raised on crossed wings;
All the globe’s frame, and sphere’s, is nothing else
But the meridians crossing parallels.
Material crosses then, good physic be,
And yet spiritual have chief dignity.
These for extracted chemic medicine serve,
And cure much better, and as well preserve;
Then are you your own physic, or need none,
When stilled, or purged by tribulation.
For when that Cross ungrudged, unto you sticks,
Then are you to yourself, a crucifix.
As perchance, carvers do not faces make,
But that away, which hid them there, do take:
Let crosses, so, take what hid Christ in thee,
And be his image, or not his, but he.
But, as oft alchemists do coiners prove,
So may a self-despising, get self-love.
And then as worst surfeits, of best meats be,
So is pride, issued from humility,
For, ’tis no child, but monster; therefore cross
Your joy in crosses, else, ’tis double loss,
And cross thy senses, else, both they, and thou
Must perish soon, and to destruction bow.
For if the’eye seek good objects, and will take
No cross from bad, we cannot ‘scape a snake.
So with harsh, hard, sour, stinking, cross the rest,
Make them indifferent; call nothing best.
But most the eye needs crossing, that can roam,
And move; to th’ others th’ objects must come home.
And cross thy heart: for that in man alone
Points downwards, and hath palpitation.
Cross those dejections, when it downward trends,
And when it to forbidden heights pretends.
And as the brain through bony walls doth vent
By sutures, which a cross’s form present,
So when thy brain works, ere thou utter it,
Cross and correct concupiscence of wit.
Be covetous of crosses, let none fall.
Cross no man else, but cross thyself in all.
Then doth the Cross of Christ work fruitfully
Within our hearts, when we love harmlessly
That Cross’s pictures much, and with more care
That Cross’s children, which our crosses are.


The Figure of Christ

Monsignor Bonomelli, in a letter read at the World Missionary Conference held in Edinburgh, June, 1910, said:

       Jesus has, in reality, not vanished either from history, or from the life of Christianity. He lives at all times in millions of souls. He is enthroned as King in all hearts. The figure of Christ has not the cold splendor of a distant star, but the warmth of a heart which is near us, a flame burning in the soul of believers and keeping alive their con- sciences. Putting aside certain opinions, which, honored at the moment, may possibly be abandoned to-morrow, criticism had hoped to effect a complete demolition of the conception of Christ, but what criticism really demolished was merely irrelevant matter. The figure of Christ, after all the onslaughts of criticism, now stands forth more pure and divine than ever and compels our adoration. 
 Rend Collective - Christ Lives In Me (Audio)

Discovering Genius

 Two boys, mistreated by their employer, ran away, taking the road to Rome. They reached the Eternal City. Peter was taken as cook's boy in a cardinal's house, Michael could find nothing to do, so he almost despaired and almost starved. But he liked to visit the churches and gaze at the fine pictures therein.

Detail from The Creation of Adam,
portraying the creation of humankind by God
       Something stirred within him, and he took bits of charcoal and sketched pictures on the walls of Peter's attic room. One day the cardinal discovered them. The boys were frightened, and Michael declared that he would rub them all out. But he did not understand the cardinal, who was amazed at their accuracy and power. He took Michael to a drawing-master, and gave Peter a better position in his house. Michael worked diligently and became an enthusiast in his art.
       Michael's other name was Angelo. This was the humble beginning of the man who was a universal genius -- painter, architect, sculptor and poet.

"Praise Him Praise Him" by Alfred H. Ackley

 

Tommy Walker (EG, Vocal), Sam Beumier (Bass), Bryan Taylor (Drums), Ryan Jones (E.G.), Jacob Park (E.G.), Alex Espinoza (Keys), Linda McCrary Fisher (Vocal), Jewl Anguay Carney (Vocal) sing "Praise Him, Praise Him"

       Tommy Walker is an American worship leader, composer of contemporary worship music, recording artist and author. Since 1990, he has been the worship leader at Christian Assembly, a church affiliated with the International Church of the Foursquare Gospel in Los Angeles, California. Some of Walker's most well-known songs are “No Greater Love,” “Mourning Into Dancing,” “He Knows My Name", and “That’s Why We Praise Him.”
       In addition to his responsibilities as a church leader, he has taken the "CA Worship Band" on numerous overseas trips, including several trips to Southeast Asia and the Philippines. He has worked alongside Franklin Graham, Greg Laurie, Jack Hayford, Bill Hybels, Rick Warren and at Promise Keepers events. Read more . . .

Praise Worthy Graphics from The Christian Clip Art Review:

"Farther Along" hymn by who?

        "Farther Along" is a Southern Gospel song published by the Stamps-Baxter Music Company. The lyrics to the song were written in 1911 by Rev. W. A. Fletcher, an itinerant preacher, while he was traveling to the Indian Territories by train. Fletcher was feeling depressed because his wife, Catherine Louise Emmett Fletcher of Cleburne, Texas, was expecting their first-born child in a few weeks and he wouldn't be present for the occasion. He felt that his priorities were with his ministry in the Indian Territories and wrote the lyrics to reflect his frame of mind at the time. Sitting next to him on the train was J. R. Baxter, a gospel music promoter who was quite taken with the lyrics that Fletcher was writing and offered him $2.00 for them. Mr. Baxter subsequently had them put to music and the song has been quite popular in the gospel music arena ever since.

       The song deals with a Christian's dismay at the apparent prosperity of the wicked, when contrasted with the suffering of the righteous. The repeated theme is that, "farther along" (in Heaven, perhaps), the truth will be revealed.
       The song was copyrighted in 1937, as part of the Starlit Crown collection, and was renewed in 1965. It is often erroneously thought of as a folk hymn or as being in the Public Domain.

"Farther Along" sung by Willie Nelson 
is one of the loveliest renditions at YouTube

Willie Hugh Nelson, born April 29, 1933, is an American musician, singer, songwriter, author, poet, actor, and activist. The critical success of the album Shotgun Willie (1973), combined with the critical and commercial success of Red Headed Stranger (1975) and Stardust (1978), made Nelson one of the most recognized artists in country music. He was one of the main figures of outlaw country, a subgenre of country music that developed in the late 1960s as a reaction to the conservative restrictions of the Nashville sound. Read more . . .