A Poppy Design for A Round Table

       The floral design pictured you can readily transfer to linen, leather or burlap by inserting a sheet of carbon, or tracing paper between the design and fabric, then going over all the lines of the design with a stylus or sharp pencil.
      You will then find the lines on the fabric distinct enough to follow in your embroidery. 
      This historic pattern has a lovely all-over design using poppies, their buds and leaves. Victorians loved to display a decorative vase with a bouquet, prominently in the center of a table covering like the one included here.
       Use brilliant reds, oranges and pinks to emphasize the design in your own version!

A draft of the historic poppy pattern.

Embroider Butterflies of Brilliant Hue

    Bright colored butterflies bring a feeling of joy and sunshine to one's work, and these dainty little creatures are charming in flower pieces or as separate motifs on table mats, curtains, dressing-table runners, and other household articles.
      Butterflies are so easy to work that no one need fear to attempt them, especially with the help afforded by the varied selection on the color samples shown below, and the chart, herewith, giving the direction for the stitches. These butterflies, also the dragonfly and bees, are originally from Weldon's Transfers (1900), you may reproduced tracings from the photo below in order to stitch butterflies similar to those embroidered at the turn of the last century.
      The wings are all worked on the same principle; the markings first in long and short stitch (or for the more definite spots and bands, in satin-stitch), and stem-stitch for veinings. All stitches should be directed towards the body. Between the markings the wings must be filled in with long and short stitch directed from their edge towards the body.
      For the body, long and short stitch can be worked lengthways, or rows of satin-stitch fitted one into the other, as shown on several of the specimens. The long and short stitch can be continued on the head, or this can be worked in satin-stitch. One or two little stitches of red or yellow, or some fairly bright color, are all that are required for the eyes.
      Stem-stitch or split-stitch gives a fine line for the antennae, which are tipped with one or two satin-stitches in the same direction as the stem or split-stitches. 

 

Color enhance reproduction of sample silk butterflies, bees and dragonfly by Weldon's Transfers, 1900.
This embroidery is done with fine silk threads.

 

 

Watch Malina embroider a silk butterfly using a satin stitch.

Negative and Positive Culture

 will thereby be weeded out:

Negative and Positive Culture
 
Two fields lay side by side. Only a hedge
Which ran athwart the plain dissevered them.
In one my title lay, and he who owned
The other was my brother. Each alike
Had generous part of one ancestral lot.
And each alike due diligence displayed
On that he called his own. At early spring
Each with a shining share upturned the soil
And gave it to the sun, the wind, the shower.
Thenceforth we rested not. Busily we
wrought
And wiped our briny brows 'neath burning
suns,
Biding the time of one far-off event.

At summer's end we each one came at last
To find our recompense. Each had his own,
The end for which he'd toiled. Through all
those days
My only thought had been no weeds should
grow,
But he had plowed 'mid rows of waving corn
And in so doing killed the cumbering weeds
That grew between. And now at summer's
close
Behold ! my field was verdureless and bare.
While his was clad in vestiture of gold.
How vain my toil ! His recompense how
full.
Who reaped so much, yet plowed no more
than I!

Light After Night

 Mary Elliot interprets the moral cheer of recurring dawn in these musical lines:

Dawn of the red, red sun in a bleak, aban-

doned sky

That the moon has lately left and the stars

are fast forsaking--

The day is drawing the cloudy lids from his 

bloodshot eye,

And the world impatient stirs -- a tired old

sleeper, waking.

O most unwearying prophet, ever-returning

morn!

Thou giv'st new life to a world grown old,

and marred in making;

With ever an old faith lost, and ever a

pang new-born,

But ever a new, new hope to hearts that 

were well-nigh breaking. 

The Metropolitan. 1834

Seizing Opportunity

        A plain wreath of oak leaves was sent through the English consul in Berlin in the hope that it might find a place on Mr Gladstone's coffin. The sender was a Berlin shoemaker who owed his success in business to the "Grand Old Man." About twenty years ago this shoemaker came to London and established a small workshop, but in spite of industry and strict attention to business he continued so poor that he had not even enough money to buy leather for work which had been ordered. One day he was in the whispering gallery in St. Paul's cathedral with his betrothed bride, to whom he confided the sad condition of his affairs, and the impossibility of their marriage. The young girl gave him all her small savings, with which he went next day to purchase the required leather, without, however, knowing that he was followed by a gentleman commissioned to make inquiries about him. The shoemaker was not a little surprised when the leather merchant told him that he was willing to open a small account with him. In this way did fortune begin to smile upon him, and soon, to his great astonishment, he received orders from the wealthiest circle in London society, and his business became so well established that he was able to marry and have a comfortable home of his own. He was known in London for years as the "Parliament Shoemaker," but only when, to please his German wife, he left London for Berlin, did the leather merchant tell him that he owed his " credit account " to none other than Mr. Gladstone. The Prime Minister had been in the whispering gallery when the poor shoemaker had been telling his betrothed of his poverty, and owing to the peculiar acoustics of the gallery had heard every word that had been said. This story suggests not only how Mr. Gladstone's wide-reaching influence was helped by his seizing upon the smallest opportunities to do good, but also that the house of God is always a whispering gallery; and tho no prime minister of earth may hear us as we breathe out our sorrows there, the Prime Minister of heaven will never fail to hear and heed. 

"There Was Jesus." sung by Zach Williams and Dolly Parton